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Or even a music video because that’s also streaming. I don’t wait on anybody because I know that’s what I have to do without the major label budgets. I know it like the back of my hand but it’s taken 10 years for that to happen. I do my own metadata, producer deals, negotiations, executive production, engineering, mixing, whatever I have to do, but it’s fun because now I can share the wealth a little bit more by training fans. I train them to do road management, I have them on the road doing photography. I still have my days where it’s very overwhelming, very tiring.You have to figure out where to invest to propel your forward because it’s expensive. They know the whole process of what it takes to do that. I don’t eat for three days at a time when I’m on a deadline because that’s my priority. That is my life, but I still have my priorities straight.
In the past you have been linked to artists like 50 Cent. I don’t know how he would get Lloyd Banks confused with me. I’m like ohhhk, let me see pictures, let me see the sex tape.
50 and I never dated, never cuddled, never did anything,period, despite what he chooses to believe in his own mind. Mya: At the end of the day I laugh because I’ve been linked to Jay-Z, Jadakiss, Wyclef, Sisqo, Game and Damon Dash.
The up is you kinda feel hot, like Jay-Z and Beyonce.
The downside is that you don't get to spend as much time with double celebrity shit.
Speaking about the Game, what was your initial reaction upon hearing his line on the song “Dreams,” where he says, “I had dreams of fucking an R&B bitch like Mya”?
Mya: Well, I had an AR inform me of the song before I even heard it.
“The Grammy nomination was confirmation because you will hit those lows when your own family is asking you to transition to another career because it’s expensive to make music.” Mya explains. ), but she isn’t without headaches from industry gatekeepers.
Her upcoming single was made more than six years ago, but it’s sample of Mint Condition’s 1991 jam “Pretty Brown Eyes” recently got clearance.
“You have to throw your whole entire self in the trash and go do what’s necessary to take care of your seed.” It’s like that every single, album or project phase. You sacrifice what you can sacrifice and you preserve so that you can invest back into yourself where it matters.
If it’s in marketing or in radio or press, that’s what’s going to take you. I’m engineering my own projects, keeping studio costs down.